etc.
I knew that I could do better and that I needed to do better.
When my mother died I returned to art therapy, doing abstract doodles as a way of working out grief and loss and discerning my internal processes. Eventually they morphed into beautifully rendered abstract drawings.
Then one day a local artist told me to get serious about painting. I bought some acrylic paints and some small canvas boards and got to work. My first works were very modest in scale and in quality. They were for the most part abstract experiments for getting me time to get used to working with colour and gain some experience in composition. I really didn't paint anything noteworthy for the first year. I graduated to canvas during this time and went from abstract to tropical birds alternated with colourful motifs of the Jerusalem Cross and other motifs based on the iris of the human eye. Some were interesting, even well done, but still no cigar.
I would have to say that towards the end of that first year I painted a composition on a four by three foot canvas of nine hyacinth macaws
The original hyacinth painting was snatched up by an architect, courtesy of my new agent, who commissioned three more similar paintings for a hotel he had designed:
Crimson shining parrots
red-capped parrot.
The proceeds of this dandy sale and commission paid for my first vacation to Costa Rica which became for me a life altering experience.
Sweet!
masked shining parrot
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